Catalogue des publications

Collections électroniques de l’INHA

Actes de colloque et livres en ligne de l'Institut national d'histoire de l'art

INHA books and conference proceedings

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Les publications de l’Institut national d’histoire de l’art (www.inha.fr) sont destinées à valoriser les manifestations – expositions, colloques, travaux de recherche en histoire de l’art et archéologie occidentale depuis l’Antiquité jusqu’à nos jours – conçues et organisées en partenariat avec d’autres institutions – université et musées. Elles complètent les ressources élaborées par l’Institut et mises à la disposition des chercheurs, professionnels de l’art ou amateurs éclairés (bases de données, catalogue de la Bibliothèque de l’INHA…), qu’ils soient conservateurs de musée, universitaires, antiquaires ou étudiants en histoire de l’art.

Titles from the Institut national d'histoire de l'art (www.inha.fr) are published as supporting elements to events – exhibitions, colloquiums, research in the history of art and archaeology from Antiquity to the present day – planned and organised with other institutions, universities and museums. They are an additional resource developed by the Institute and made available to researchers, art professionals and informed amateurs (databases, the catalogue of the library of the INHA, etc.), whether they are museum curators, academics, antique dealers or students of art history.

Responsable(s)
Anne-Laure Brisac
URL sur Revues.org
http://inha.revues.org
Catégories francophones
Histoire, Représentations, Histoire culturelle, Histoire de l'Art, Patrimoine, Études visuelles
Catégories anglophones
History & Archaeology, Arts & Humanities, Art, Classics, Humanities; Multidisciplinary

Éditeur

Institut national d'histoire de l'art

L’INHA a pour mission de développer l’activité scientifique et de contribuer à la coopération scientifique internationale dans le domaine de l’histoire de l’art et du patrimoine. Il exerce des activités de recherche, de formation et de diffusion des connaissances.

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Services

Politique d'accès
Open access
RSS
S'abonner
Contact
anne-laure.brisac@inha.fr

Informations bibliographiques

Directeur de la publication
Antoinette Le Normand-Romain
Type de support
Papier et électronique
Etat de la collection
1999-2005
Politique d'édition électronique
Publication en libre accès
Année de création
2010
Date de mise en ligne sur Revues.org
15 mars 2010
ISSN format électronique
2108-6419
Langue de la publication
Français

Coordonnées

Courriel
anne-laure.brisac@inha.fr
Adresse postale
Collections électroniques de l’INHA
2 rue Vivienne
75002 Paris
France
Ville de production
Paris

Actualités

Derniers articles

Museum Policies and Art Images: Conflicting Objectives and Copyright Overreaching

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The Experiments in Art and Technology Datascape

The Experiments in Art and Technology (E.A.T.) organization was set up in 1966 by the artists Robert Rauschenberg and Robert Whitman, in association with the engineers Billy Klüver and Fred Waldhauer. Its purpose was to facilitate collaboration between artists, engineers, and scientists by producing art systems and projects outside the art sphere in a strictly defined sense. Between 1966 and 1970, E.A.T. was thus at the root of more than 600 joint projects in the United States and abroad, mos...

Access, Explore, Converse: The Impact (and Potential Impact) of the Digital Humanities on Scholarship

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Introduction

Julius Franz-Pasha’s Die Baukunst des Islam (Islamic architecture) of 1887 as part of the Manual of Architecture

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Max Herz Pasha on Arab-Islamic Art in Egypt

Visiter Le Caire en compagnie d’Émile Isambert, auteur de l’Itinéraire descriptif de l’Orient

Les fondements de l’orientalisme architectural en France. Les cours d’histoire de l’architecture de Jean Nicolas Huyot à l’École des beaux-arts (1823-1840)

While it does not represent a major segment of 19th century architectural production, Neo-Moorish architecture did develop at the time in France. As such, it raises the question of how the architects who designed such buildings acquired the knowledge to do so. Did they travel to the East, did they look at portfolios of drawings, or were they taught the history of Oriental architecture? The latter question can be answered. In his course at the Ecole des Beaux-Arts during the years 1823-1841, J...

James Wild, Cairo and the South Kensington Museum



Ressources électroniques et communication scientifique