Fondée en 1983, le Journal of the short story in English est une revue semestrielle, entièrement consacrée à la nouvelle et aux formes brèves. Sous une direction franco-américaine (Belmont University, Nashville et Centre de Recherches Inter-Langues de l’Université d’Angers), elle réunit une équipe éditoriale de spécialistes internationaux qui sélectionnent des articles selon le principe du double-blind review et dans l’objectif de diffuser un spectre d’approches d’analyse littéraire aussi large que possible. Les numéros sont de trois sortes : généraux, thématiques ou consacrés à un auteur individuel.
Journals catalogue
Journal of the Short Story in English
Les cahiers de la nouvelle
Revue franco-américaine consacrée aux nouvelles et autres histoires courtes
A French-American journal dedicated to short story and other short forms of writing
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Founded in 1983, the Journal of the Short Story in English is a biannual journal entirely devoted to the short story and to short forms of writing. Under French-American direction (Belmont University, Nashville and the Centre de Recherches Inter-Langues, Université d’Angers), it has an editorial team of international specialists who select articles according to the “double-blind review” principle with the aim of encouraging the broadest possible spectrum of analytical literary approaches. There are three types of issue devoted to general questions, themes or individual authors.
- Editor(s)
- Olivier Tacheau
- URL on Revues.org
- http://jsse.revues.org
- Subjects in French
- Langage, Littératures
- Subjects in English
- Literature, Literary reviews
Publisher
Presses universitaires d'Angers
For more information
Labels
- The journal is granted with a ERIH label
Services
- Access policy
- Embargo period
- Journal RSS feed
- Subscribe
- Contact
- jsse@univ-angers.fr
Information
- Journal description on other websites
- Via Sudoc | Via WorldCat
- Director of publication
- Olivier Tacheau
- Editor(s)
- Linda Collinge, Emmanuel Vernadakis, John Paine, Corinne Dale
- Editor of electronic edition
- Daniel Bourrion
- Medium
- Print and electronic
- Collection
- 1997-2010
- Publishing policy
- Publication in open access after a two-year embargo period
- Frequency
- Semestrielle
- Date created
- 1983
- Online on Revues.org since
- 02 January 2009
- ISSN electronic edition
- 1969-6108
- ISSN print edition
- 0294-0442
- Languages of publication
- Français, English
Contact
- jsse@univ-angers.fr
- Address
-
Journal of the Short Story in English
Presse de l’Université d’Angers
5 rue Le Nôtre
49045 Angers cedex
France - Place of publication
- Angers
Latest updates
News
-
Mise en ligne du n°53 (2009), The Short Stories of John MacGahern, en texte intégral.06 February 2012
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Mise en ligne des nos 51 (automne 2008), Theatricality in the Short Story in English et 52 (printemps 2009).10 January 2011
Focus
-
16 January 2009
Latest online issue
56 | 2011 – Special issue: The Image and the Short Story in English
CONFERENCE ORGANIZERS
Linda Collinge-Germain, Lauric Guillaud and Laurent Lepaludier
ORDERING INFORMATION
The issue can be ordered by contacting catherine.dupuy@univ-angers.fr at the Presses Universitaires d'Angers. It will be online in June 2013.
CONTENTS
Linda COLLINGE-GERMAIN
Foreword
Liliane LOUVEL
“A Skilful Artist has Constructed a Tale” “Is the short story a good instance of ‘word/image’? Towards intermedial criticism”
Shannon WELLS-LASSAGNE
“Disjected Snapshots”: Photography in the Short Stories of Elizabeth Bowen
Ailsa COX
“Sight Unseen” – The Visual and Cinematic in “Ivy Gripped the Steps”
Michelle RYAN-SAUTOUR
Intermediality and the Cinematographic Image in Angela Carter’s “John Ford’s ‘Tis Pity She’s a Whore” (1988)
Karima THOMAS
The Urge for Intermediality and Creative Reading in Angela Carter’s “Impressions: the Wrightsman Magdalene
Martine HENNARD DUTHEIL de la ROCHÈRE
The Interplay of Text and Image, from Angela Carter’s The Fairy Tales of Charles Perrault (1977) to The Bloody Chamber (1979)
Peter GIBIAN
The Image and its Discontents: Hawthorne, Poe, and the Double Bind of ‘Iconoclash’
Claude MAISONNAT
The Ineluctable Modalities of the Visible in Daniel Corkery’s “The Stones”: Eye, Gaze and Voice
Lhorine FRANÇOIS
The image, the inexpressible and the shapeless in two short stories by Elizabeth Bishop
M’hamed BENSEMMANE
Conrad’s Picture of Irony in “An Outpost of Progress”
Xavier LACHAZETTE
Images and the Colonial Experience in W. Somerset Maugham’s The Casuarina Tree (1926)
